Orfeo ed Euridice
Орфей и Эвридика
Director and choreographer Mark Morris’s production of Gluck’s masterpiece updates the immortal story from its ancient Greek roots to the timeless present, where, he says, “the union of chorus and dancers feels inevitable and inseparable.” With costumes by Isaac Mizrahi and a set designed by Allen Moyer, this production surrounds the action with the superb Met chorus dressed as a crowd of historic characters who bear witness to the transformative power of love.
Orfeo (Stephanie Blythe) is so consumed with grief at the death of his beloved Euridice (Danielle de Niese) that the gods (Heidi Grant Murphy as Amor) allow him to lead her back from the underworld—if he will not look at her on the way. Of course he can’t resist looking, but the gods are truly merciful.
Actors
Crew
Amor, god of love, appears with word that Jove, pitying Orfeo, will allow him to descend into the land of the dead to retrieve Euridice. To make this trial more difficult, Orfeo must neither look at Euridice, nor explain why looking is forbidden. Otherwise he will lose her forever (“Gli sguardi trattieni”). Orfeo agrees and begins his voyage.
Elysium. Orfeo is moved by the beauty of the landscape (“Che puro ciel”). Heroes and heroines bring Euridice to him (“Torna, o bella, al tuo consorte”). Without looking at her, he takes her away.
ACT III
The Temple of Love. Orfeo, Euridice, Amor, the nymphs, and the shepherds all celebrate the power of love (“Trionfi Amore!”).
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