Dana Nagina
Дана Нагина
Musicologist, Associate Professor of the Department of Analytical Musicology at the Gnessin Academy of Music
Musicologist, PhD in Arts History, Associate Professor at the Department of Analytical Musicology, Gnessin Russian Academy of Music.
Laureate of the "Young Scientist" Award from the Ministry of Science and Higher Education of the Russian Federation.
She has worked as a lecturer at the "P. I. Tchaikovsky and Moscow" Museum and as an editor at the Moscow International House of Music. Since 2013, she has been teaching at the Gnessin Russian Academy of Music, delivering lectures on musical form, history, and the analysis of opera and ballet performances, as well as supervising undergraduate, Master's, and PhD theses. From 2017 to 2025, she served as Executive Editor of the academic journal "Contemporary Problems of Musicology" at the Gnessin Academy.
She is a regular participant in international academic conferences on issues in music scholarship. Author of over 30 research articles on Classical-era musical composition and performance practice, musical theatre, and the formal structure of musical works. She also wrote the book "Concert Arias by W. A. Mozart and the Vocal Art of His Time" (2015), based on her PhD research.
Laureate of the "Young Scientist" Award from the Ministry of Science and Higher Education of the Russian Federation.
She has worked as a lecturer at the "P. I. Tchaikovsky and Moscow" Museum and as an editor at the Moscow International House of Music. Since 2013, she has been teaching at the Gnessin Russian Academy of Music, delivering lectures on musical form, history, and the analysis of opera and ballet performances, as well as supervising undergraduate, Master's, and PhD theses. From 2017 to 2025, she served as Executive Editor of the academic journal "Contemporary Problems of Musicology" at the Gnessin Academy.
She is a regular participant in international academic conferences on issues in music scholarship. Author of over 30 research articles on Classical-era musical composition and performance practice, musical theatre, and the formal structure of musical works. She also wrote the book "Concert Arias by W. A. Mozart and the Vocal Art of His Time" (2015), based on her PhD research.
