Near the sanctuary of the Holy Grail, the old knight Gurnemanz and two sentries wake and perform their morning prayers, while other knights prepare a bath for their ailing ruler Amfortas, who suffers from an incurable wound. Suddenly, Kundry—a mysterious, ageless woman who serves as the Grail’s messenger—appears. She has brought medicine for Amfortas. The knights carry in the king. He reflects on a prophecy that speaks of his salvation by a “pure fool, enlightened by compassion,” then is borne off. When the esquires ask about Klingsor, a sorcerer who is trying to destroy the knights of the Grail, Gurnemanz tells the story of Amfortas’s wound: The Holy Grail—the cup from which Christ drank at the Last Supper—and the Spear that pierced his body on the cross were given into the care of Titurel, Amfortas’s father, who assembled a company of knights to guard the relics. Klingsor, wishing to join the brotherhood, tried to overcome his sinful thoughts by castrating himself, but the brotherhood rejected him. Seeking vengeance, he built a castle across the mountains with a magic garden full of alluring women to entrap the knights. Amfortas set out to defeat Klingsor, but was himself seduced by a terribly beautiful woman. Klingsor stole the Holy Spear from Amfortas and used it to stab him. The wound can only be healed by the innocent youth of which the prophecy has spoken. Suddenly, a swan plunges to the ground, struck dead by an arrow. The knights drag in a young man, who boasts of his archery skills. He is ashamed when Gurnemanz rebukes him, but he cannot explain his violent act or even state his name. All he remembers is his mother, Herzeleide, or “Heart’s Sorrow.” Kundry tells the youth’s history: His father died in battle, and his mother reared the boy in a forest, but now she too is dead. Gurnemanz leads the nameless youth to the banquet of the Grail, wondering if he may be the prophecy’s fulfillment.
The knights assemble in the Hall of the Grail. Titurel bids Amfortas uncover the Grail to give strength to the brotherhood, but Amfortas refuses: The sight of the chalice increases his anguish. Titurel orders the esquires to proceed, and the chalice casts its glow about the hall. The nameless youth watches in astonishment but understands nothing. The ceremony ended, Gurnemanz, disappointed and angry, drives him away as an unseen voice reiterates the prophecy.
At his bewitched fortress, Klingsor, the necromancer, summons Kundry—who, under his spell, is forced to lead a double existence—and orders her to seduce the young fool. Having secured the Spear, Klingsor now seeks to destroy the youth, whom he knows can save the knights of the Grail. Hoping for redemption from her torment, Kundry protests in vain.
The nameless youth enters Klingsor’s enchanted garden. Flower maidens beg for his love, but he resists them. The girls withdraw as Kundry, transformed into a beautiful young woman, appears and addresses him by his name—Parsifal. He realizes that his mother once called him so in a dream. Kundry begins her seduction by revealing memories of Parsifal’s childhood and finally kisses him. Parsifal suddenly feels Amfortas’s pain and understands compassion: He realizes that it was Kundry who brought about Amfortas’s downfall and that it is his mission to save the brotherhood of the Grail. Astonished at his transformation, Kundry tries to arouse Parsifal’s pity: She tells him of the curse that condemns her to lead an unending life of constantly alternating rebirths ever since she laughed at Christ on the cross. But Parsifal resists her. She curses him to wander hopelessly in search of Amfortas and the Grail and calls on Klingsor for help. The magician appears and hurls the Holy Spear at Parsifal, who miraculously catches it, causing Klingsor’s realm to perish.
Gurnemanz, now very old and living as a hermit near the Grail’s sanctuary, finds the penitent Kundry in the forest and awakes her from a deathlike sleep. An unknown knight approaches, and Gurnemanz soon recognizes him as Parsifal, bearing the Holy Spear. Parsifal describes his years of wandering, trying to find his way back to Amfortas and the Grail. Gurnemanz tells him that he has come at the right time: Amfortas, longing for death, has refused to uncover the Grail. The brotherhood is suffering, and Titurel has died. Kundry washes Parsifal’s feet, and Gurnemanz blesses him and proclaims him king. As his first task, Parsifal baptizes Kundry. He is struck by the beauty of nature around them, and Gurnemanz explains that this is the spell of Good Friday. The distant tolling of bells announces the funeral of Titurel, and the three make their way to the sanctuary.
Knights carry the Grail, Amfortas, and Titurel’s coffin into the Hall of the Grail. Amfortas is unable to perform the rite. He begs the knights to kill him and thus end his anguish—when suddenly Parsifal appears. He touches Amfortas’s side with the Spear and heals the wound. Uncovering the Grail, he accepts the homage of the knights as their redeemer and king and blesses them. The reunion of the Grail and Spear has enlightened and rejuvenated the community.
4 hours 50 minutes
Zandonai's compelling opera, inspired by an episode from Dante's Inferno, returns in the Met's ravishingly beautiful production, last seen in 1986.
The opera that conquered London in Handel’s time comes to the Met in David McVicar’s lively production.
The virtuosic Elīna Garanča sings Sesto in Mozart’s drama set in ancient Rome.
The Met offers a rare opportunity to witness Berlioz’s vast epic, last performed at the Met in 2003.
Mezzo-soprano Joyce DiDonato, one of the world’s most exciting singers, takes on the virtuosic bel canto role of the doomed Mary, Queen of Scots.
Jonas Kaufmann stars in the title role of the innocent who finds wisdom in François Girard's new vision for Wagner's final masterpiece.
Director Michael Mayer has placed his new production of Verdi’s towering tragedy in Las Vegas in 1960
Composer Thomas Adès conducts the Metropolitan Opera premiere of his own work
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